Magnhild Kennedy

Friday, 8 April 2016

Lasii


SOLD

Posted by I am DAMSELFRAU at 01:53 No comments:
Labels: masks

Thursday, 7 April 2016

The Living Gods of Haiti / Damselfrau









Posted by I am DAMSELFRAU at 08:58 No comments:
Labels: damselfrau, music video, the living gods of haiti

Saturday, 12 March 2016

Wanrong, 2016





SOLD, commission for private client

Posted by I am DAMSELFRAU at 07:42 No comments:
Labels: masks

Blue i, 2016





SOLD, commission for private client

Posted by I am DAMSELFRAU at 07:40 No comments:
Labels: masks

Daefni Hellore, 2015



SOLD

Posted by I am DAMSELFRAU at 07:34 No comments:
Labels: masks

Tuesday, 16 February 2016

Damselfrau 'Idios' at Dalston Pier, London. November 2015. Photo by Alex Christie.









































Posted by I am DAMSELFRAU at 12:36 No comments:
Labels: dalston pier, exhibition

Monday, 4 January 2016

Liorin


Posted by I am DAMSELFRAU at 05:43 No comments:
Labels: masks

Friday, 18 December 2015

Jyyl and Jold. Secular Seasons Greetings from Damselfrau.



Posted by I am DAMSELFRAU at 08:47 No comments:
Labels: masks

Saturday, 5 December 2015

Damselfrau in D2, Norway.

Fiona Garden and Ben Ashton.
Photographed by Chris Aadland


http://www.dn.no/d2/2015/12/03/2124/Utstilling/bak-masken

Posted by I am DAMSELFRAU at 16:05 No comments:
Labels: press

Monday, 23 November 2015

Damselfrau on 1Granary


Click to read the interview.





Posted by I am DAMSELFRAU at 14:06 No comments:
Labels: 1granary, interview, press
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My photo
I am DAMSELFRAU
I make masks as autonomous works and as objects of action. For me, the mask is a place where different elements come together in a situation. The work is this place-situation, not masks as a theme, category or form. The mask is a place. I use found materials and materials that I make myself. I have used 200-year-old Geisha hair as well as everyday materials found on the street. I find great joy in solving technical problems that arise in the work. A semi-improvised solution to an actual problem is more satisfying for me than a conventional solution in a known material or technique. I am guided by the phantasms that arise in the process and that lie in the materials themselves. These show the way and inform the things I do. The mask is as much a subject of others' projection as it is my own. It is in this space that the object exists and where I find new ones.
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