Magnhild Kennedy

Tuesday, 20 December 2022

Erons


 

Posted by I am DAMSELFRAU at 09:50 No comments:
Labels: masks

Wodee





 

Posted by I am DAMSELFRAU at 09:50 No comments:
Labels: masks

Foreem





 

Posted by I am DAMSELFRAU at 09:49 No comments:
Labels: masks

Wednesday, 7 December 2022

The Horror Show! Somerset House, London. October 2022 - February 2023.






Link to The Horror Show


 

Posted by I am DAMSELFRAU at 02:34 No comments:
Labels: exhibition

Thursday, 24 November 2022

A Short. Image and Sound, Damselfrau 2021



A Short.
Image and Sound made at Dalston Pier Studio in 2021.

 

Posted by I am DAMSELFRAU at 04:25 No comments:
Labels: exhibition, Film and TV

Friday, 21 October 2022

Bleed Melts Duo











 

Posted by I am DAMSELFRAU at 01:43 No comments:
Labels: masks

Cepham








 

Posted by I am DAMSELFRAU at 01:40 No comments:
Labels: masks

Monday, 25 July 2022

Molues




 

Posted by I am DAMSELFRAU at 05:22 No comments:
Labels: masks

Layered masks, 2022.














 

Posted by I am DAMSELFRAU at 05:20 No comments:
Labels: editorial

For Commun's, Paris shot in Mexico















Shot by Alex Huanfa Cheng
Styled by Pierre-Alexandre Fillaire 





 

Posted by I am DAMSELFRAU at 05:14 No comments:
Labels: editorial

Boudica Vinyl, Samantha Togni









 

Posted by I am DAMSELFRAU at 04:40 No comments:
Labels: editorial

Monday, 30 May 2022

Damselfrau for @apple on Instagram.



Instagram Post
#shotoniphone
  #comissionedbyapple


 

Posted by I am DAMSELFRAU at 07:23 No comments:
Labels: Apple, Comission, instagram, iPhone
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I am DAMSELFRAU
I work with masks as autonomous works of art as well as action-objects. For me the mask is a place where different elements come together as situation. The work is about this place-situation, more so than the mask as a theme or category of form. The mask is a place. I am led by the phantasms appearing in the process of the making and the materials themselves. These guide my decisions and inform the objects I make. The becoming of character as play, in between the theatrical projective and the actual of the veil, has the effect that the masks equally are subject to the projection of others as well as my own. It is in this space that the objects exist and where I find new ones.
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