Magnhild Kennedy

Tuesday, 15 May 2018

Tanssi


Posted by I am DAMSELFRAU at 08:49 No comments:
Labels: masks

Bero & Hotz




Posted by I am DAMSELFRAU at 08:44 No comments:
Labels: masks

Monday, 16 April 2018

Damselfrau King Kong SS18


KING KONG SS18
'Cosmic'
Photo Marie Schuller
Styling Beth Buxton

Posted by I am DAMSELFRAU at 05:45 No comments:
Labels: editorial, fashion, press

Monday, 26 March 2018

Baloji - Peau de Chagrin/Bleu de Nuit







Posted by I am DAMSELFRAU at 09:24 No comments:
Labels: Baloji, Film and TV

Monday, 12 February 2018

Uutan


SOLD

Posted by I am DAMSELFRAU at 09:21 No comments:
Labels: masks

Satepo


Posted by I am DAMSELFRAU at 05:12 No comments:
Labels: masks

Damselfrau portraits for Sorgenfri Magazine, Norway



PHOTO Leikny Kristine Havik Skjærseth

Posted by I am DAMSELFRAU at 05:11 No comments:
Labels: press

Wednesday, 24 January 2018

KUNSTHANDVERK Magazine, Norway. Cover and Interview.




       



Interview by Marianne Wie





Posted by I am DAMSELFRAU at 03:07 No comments:
Labels: press

Katja Mayer / Damselfrau for Radical Beauty Project. Behind the scenes film by Beki Mari.



DAMSELFRAU / KATJA MAYER for RADICAL BEAUTY PROJECT from BEKI MARI on Vimeo.

Oto & Tommy
http://www.radicalbeautyproject.com

Posted by I am DAMSELFRAU at 03:01 No comments:
Labels: editorial, press, radical beauty project

Damselfrau Lobster Face Pendant. Commission.




Posted by I am DAMSELFRAU at 02:54 No comments:
Labels: commission, jewellery
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My photo
I am DAMSELFRAU
I make masks as autonomous works and as objects of action. For me, the mask is a place where different elements come together in a situation. The work is this place-situation, not masks as a theme, category or form. The mask is a place. I use found materials and materials that I make myself. I have used 200-year-old Geisha hair as well as everyday materials found on the street. I find great joy in solving technical problems that arise in the work. A semi-improvised solution to an actual problem is more satisfying for me than a conventional solution in a known material or technique. I am guided by the phantasms that arise in the process and that lie in the materials themselves. These show the way and inform the things I do. The mask is as much a subject of others' projection as it is my own. It is in this space that the object exists and where I find new ones.
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