Magnhild Kennedy

Tuesday, 15 May 2018

Damselfrau - Baloji - Nataal Magazine - Kristin-Lee Moolman



Posted by I am DAMSELFRAU at 08:54 No comments:
Labels: press

Tanssi


Posted by I am DAMSELFRAU at 08:49 No comments:
Labels: masks

Bero & Hotz




Posted by I am DAMSELFRAU at 08:44 No comments:
Labels: masks

Monday, 16 April 2018

Damselfrau King Kong SS18


KING KONG SS18
'Cosmic'
Photo Marie Schuller
Styling Beth Buxton

Posted by I am DAMSELFRAU at 05:45 No comments:
Labels: fashion, press

Monday, 26 March 2018

Baloji - Peau de Chagrin/Bleu de Nuit







Posted by I am DAMSELFRAU at 09:24 No comments:
Labels: Baloji, Film and TV

Monday, 12 February 2018

Uutan


Posted by I am DAMSELFRAU at 09:21 No comments:
Labels: masks

Satepo


Posted by I am DAMSELFRAU at 05:12 No comments:
Labels: masks

Damselfrau portraits for Sorgenfri Magazine, Norway



PHOTO Leikny Kristine Havik Skjærseth

Posted by I am DAMSELFRAU at 05:11 No comments:
Labels: press

Wednesday, 24 January 2018

KUNSTHANDVERK Magazine, Norway. Cover and Interview.




       



Interview by Marianne Wie





Posted by I am DAMSELFRAU at 03:07 No comments:
Labels: press

Katja Meyer / Damselfrau for Radical Beauty Project. Behind the scenes film by Beki Mari.



DAMSELFRAU / KATJA MAYER for RADICAL BEAUTY PROJECT from BEKI MARI on Vimeo.

Oto & Tommy
http://www.radicalbeautyproject.com

Posted by I am DAMSELFRAU at 03:01 No comments:
Labels: press, radical beauty project
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My photo
I am DAMSELFRAU
I work with masks as autonomous works of art as well as action-objects. For me the mask is a place where different elements come together as situation. The work is about this place-situation, more so than the mask as a theme or category of form. The mask is a place. I am led by the phantasms appearing in the process of the making and the materials themselves. These guide my decisions and inform the objects I make. The becoming of character as play, in between the theatrical projective and the actual of the veil, has the effect that the masks equally are subject to the projection of others as well as my own. It is in this space that the objects exist and where I find new ones.
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